If you’re scrolling through, looking for something that actually has some guts, some real sonic teeth, then you need to stop right here and get

Caleb L’Etoile is diving into the abyss with a cinderblock tied to his boots, and “Starling” is the terrifying, glorious splash. This is the goddamn nucleus,

Pisgah brings a stormer of a track that rewires your nervous system. “Bend to Break,” the third single from her album Faultlines, balances alt-rock ferocity with

Fire up the tube amps. Dogmile is back in the game, and the new single “Alight” is a hazy riff on what modern rock can

Pittsburgh’s one-man Cody Piper is slamming with “Run Home,” a track with a controlled fury you can feel in your bones. This is a methodically crafted

With Trashy Annie’s new single “Big Red Bow,” the Austin-based outlaw rock outfit delivers a sucker-punch of sound that’s as defiant as it is genre-smashing.

Switzerland’s Melting Reeds are back, and their new single, “Over My Head,” is a slow-burn punch that proves rock ‘n’ roll isn’t always about the explosion—sometimes the

Dylan Forshner is back with a slab of basement-born rock. “It Ain’t So Bad,” out of Welland, Canada, shows a songwriter finding his footing, his

Myra Keyes’ latest single, “Foam,” is a jolt of energy that proves rock and roll isn’t dead—it’s just been hiding in Chicago, getting smarter and

CARUS’ debut single, “Wisch Wisch,” is a blast of sonic boldness that enters every room by kicking the door off its hinges. “Wisch Wisch” establishes