• Weekly Song Recommendations •

Kevin Kell O’Donnell’s Don’t Worry About Me (I’ve Already Got Someone New) hits like a reckless confession shouted over a rattling, cow-punk pulse—funny, ugly, and painfully self-aware all at once. It leans into its flaws with such raw conviction that the bravado slowly cracks, leaving behind something bruised, human, and strangely hopeful.

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My Baton (Preview) unfolds as a dry, unsettling spoken performance, pairing deadpan delivery with a stark, modern beat that keeps the tension simmering rather than exploding. It’s sharp-edged satire dressed in minimalist sound design, daring the listener to sit with its discomfort while quietly exposing the absurdity beneath the authority it portrays.

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cats kill’s voidwalker moves with a hazy, forward-driving intensity, blending thick atmospheres and restless energy into something both intimate and confrontational. It feels like drifting through a dimly lit corridor of sound—uneasy, hypnotic, and hard to shake long after it ends.

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Lost Angel’s Elijah carries a quietly earnest weight, weaving melodic guitar lines and atmospheric textures into a reflective, emotionally open listen. It unfolds with a sense of personal conviction, inviting the listener into a space that feels hopeful, vulnerable, and intent on reaching beyond itself.

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Ceylon Sailor’s one kind of lullaby drifts in with a hushed, uneasy calm, gradually opening into a rich, cinematic swell that feels both tender and unsettling. It’s a piece that lingers in the half-light between rest and restlessness, rewarding patience with a quietly powerful emotional lift.

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TRANCES’ Last Devotion pulses with a cool, nocturnal energy, blending crisp rhythms and shimmering melodies into something both nostalgic and sharply present. It feels like a late-night drive through neon-lit streets, carrying equal parts longing, restraint, and quiet intensity.

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Land Monster’s Movies wraps jangly guitars and steady momentum around a quietly aching core, capturing the tension between fantasy and self-doubt. It plays like a mirror held up to modern bravado—catchy on the surface, but threaded with an honest sense of longing underneath.

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Reptile Tile’s Isle Of Blame slips into a woozy, groove-driven haze, where elastic rhythms and off-kilter melodies keep the track constantly shifting underfoot. The collaboration crackles with restless energy, turning inward reflection into something playful, unpredictable, and strangely infectious.

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Stolen Dead Music’s Four Two drives forward with taut guitars and a moody undercurrent that feels both urgent and restrained. It’s a lean, atmospheric cut that builds its impact through texture and tension, leaving a lingering sense of unease rather than easy resolution.

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Nic Koller’s The Home (That I Don’t Know) feels like a whispered reckoning, where hushed vocals and dusky textures create a sense of dislocation that slowly seeps under the skin. It’s a quietly powerful piece that turns unease into atmosphere, letting restraint and mood speak louder than any grand declaration.

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Ethan Fawkes’ Fear Is Away explodes with raw guitar grit and relentless momentum, charging forward like a cathartic release with no time for hesitation. It’s loud, muscular, and unapologetic, capturing the thrill of throwing caution aside and leaning fully into the noise.

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Crá Croí’s Feeding the Fear unfurls in a slow, shadowed glow, pairing icy melodies with a pulse that feels both fragile and defiant. It’s a track that turns unease into momentum, lingering in the space where darkness and resolve quietly collide.

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Bearbonez’s Samsara moves with a heavy, reflective calm, letting raw emotion seep through its melodies rather than forcing catharsis. It’s a quietly gripping listen that feels like standing at the edge of loss and choosing, step by step, to keep going.

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Super Glue Anxiety’s Beautiful snarls and struts in equal measure, fusing gritty groove with a volatile emotional charge that feels impossible to contain. It’s the sound of tension turned into rhythm—seductive, chaotic, and thrillingly unstable from the first hit to the last.

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pixelgrinder’s Nocturnal drapes itself in shadowy textures and late-night allure, letting the vocals glide through a moody, cinematic soundscape. It’s a sleek, intimate track that feels tailor-made for listeners who crave dark romance and after-hours atmosphere.

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